CTG announced the new season at the Ahmanson, and I don't even really have the energy to complain about it. It's boring, but fine. Nothing new, nothing interesting, just transfers of shows that got a lot of attention on Broadway: Spamalot, August: Osage County, Mary Poppins, South Pacific, and, as a "bonus" not included with the season, An Evening with Patty LuPone and Mandy Patinkin. If the tickets are cheap enough, I might actually consider seeing some of these shows (South Pacific is dissertation related), but they feel like giving up. The Ahmanson is telling us they have no interest in producing new work or programming interesting, quirky, or offbeat productions, they have no interest in making L.A. anything but a second or third stop for Broadway shows before they go on full national tours. Fine. I think the Ritchie quote in the Times summarizes it perfectly: "What's not to love?" Ritchie said. "You look at that season and there isn't anyone who doesn't say: 'I want to see those five shows.'" Even he isn't arguing that these are good choices or a good season; they're just the things people have heard about. He sounds like a slightly more eloquent George W. Bush - self-satisfied and unintelligent.
Saying that, my real point is, what's up with this season programming? They're announcing the Ahmanson season now and it begins in June, but I just this week subscribed to the current season at the Taper that starts now and goes through next October. WTF? Couldn't they at least be consistent across one organization about when the year starts and stops? Plus, as an academic, I really wish they could either follow the the academic year - it's really hard for me to commit to shows for next October.
2024 holiday movies
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They're baaaaaack! The roundup of new streaming holiday movies has become
one of my favorite assignments. And this year, I even got to do a video
supplem...
1 week ago
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