Fringes-Margins-Borders. Highways Performance Space. 3/6/09.
I promised a report, but only have time for a quickie. The show was overall quite strong. Sean Dorsey and Scott Turner Schofield both performed pieces I'd seen multiple times before, but they were so well done that I found myself laughing and delighted anyway. Rumor has it Dorsey is looking for a bigger dance space to bring a full length show to Southern California, so someone should jump on that. Schofield will be performing his new piece, Becoming a Man in 127 Easy Steps at Highways in June! Be sure to go!
Gigi Otálvaro-Hormillosa, aka devil bunny, performed a piece about the expectations of femininity called "Big Pink." I like the concept a lot, but the text was really dense and rant-y. I want to see it again and think about it more.
Deadlee surprised me by linking the two songs he performed with a funny and intense personal monologue so that his performance was more than hip-hop, which was nice.
Stephanie Cooper, who performs as Thisway/Thatway, did some interesting work that was kind of a burlesque performance related to minstrelsy and set to contemporary rap/hip-hop. The costumes were fabulous and the piece had something to say, but it was a difficult thing to be an audience for in this context. I think it probably works well in a show with a lot of other burlesque numbers but it was a strange intervention for this particular context.
Saleem seems to still be working out what he has to say.
Ian MacKinnon did a piece that was for gay men. It was over the top and campy and fabulous and the audience was really laughing and enjoying it, but it wasn't for me.
That was, overall I think the problem with the evening. There wasn't a good clear establishment of tone. I suspect a lot of the artists would be happier with a loud, boisterous, supportive audience and we all loved it but were for the most part quiet and reflective. The show wasn't sold out, so come tonight and be loud! The show is definitely worth it (and if you ask real nicely, they will probably still give you Pay What You Can tickets, so don't let the money stop you. Go! It's a rare chance to see good artists who don't perform in LA nearly often enough.
In the Amazon Warehouse Parking Lot
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On the one hand, I love seeing any attempt at a science-fiction setting on
stage. On the other, I wish Sarah Mantell's play was better. My review is
here...
1 week ago
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