The LA Times reports today that CTG just received a grant from the Mellon Foundation to develop "experimental" theater by LA-based artists. I wonder if this is at least partially an expansion of the "Douglas Plus" program that was so poorly executed at the last minute last year.
They claim they intend to devote the grant to LA-based artists, and yet the only project they're ready to discuss is bringing in Phil Soltanoff from mad dog experimental theatre company to work with LA actors. While I think it would be great to have more experimental NY artists coming out to LA to do their work or show it, I definitely don't think CTG has the creative vision for this, and once again they're giving lip service to local artists while really fetishizing New York and pretending toward diversity while really only supporting (usually straight, white) men.
While this grant could be an amazing opportunity to see and develop exciting new work, I fear that it will only be another poor excuse to produce work by the same old people, but now with fewer words and more flashy projections and "technology." I would much rather have actually seen the production of Heddatron that they promised and cancelled this year than have this vague promise of new work in the future.
In the Amazon Warehouse Parking Lot
-
On the one hand, I love seeing any attempt at a science-fiction setting on
stage. On the other, I wish Sarah Mantell's play was better. My review is
here...
1 week ago
0 comments:
Post a Comment